BOOKS: A Shout in the Ruins: Kevin Powers

Apr. 8—If rereading a book, I usually visit it again decades after the first reading.

Not so with "A Shout in the Ruins."

Running across it on the home shelf, flipping through a few pages, reading a couple of paragraphs, led to rereading the book only a handful of years after first reading it.

Kevin Powers came on the literary scene, big and bold, about a decade ago, with "The Yellow Birds" — a poetic, haunting look at the brutality of war.

He returns with an epic elegy that spans the Civil War to the late 20th century.

"A Shout in the Ruins," Powers' latest novel, is lyrical, a haunting and haunted look at the violent brutality of life.

A Virginia family is devastated by the Civil War.

The father is shattered financially, body, mind and soul. His daughter, Emily, marries Antony Levallois, a ruthless man, who wants to industrialize the battered Southern farmlands while he terrorizes the lives of his family, neighbors, acquaintances and slaves.

Especially, Rawls and Nurse, who have overcome great odds to be together but still face the uncertainty of life in the face of emancipation.

Meanwhile, in the 1950s, George is a man in his 90s. Years have whittled away the people in his life; a coming interstate has taken his home. He's never had a full sense of identity, knowing he was an orphan with no sense ever of an orphan from whom. He decides to seek answers as he fades near the end of a long life.

Powers does not spell everything out for readers. He allows readers to connect some of the dots; readers must determine if some characters are between the sheets by reading between the lines.

The author deftly sews the timelines of his connected stories back and forth, stitching them together to form a fuller picture of the tenuous threads that connect lives immediately and the generations past and future.

With "A Shout in the Ruins," Powers proves he is the successor of the late author E.L. Doctorow, who was a master of penning epics with an economy of words. Doctorow could write a saga in a few hundred pages where lesser authors would need a thousand pages.

Powers has the same ability while maintaining a singular, individual voice.

"A Shout in the Ruins" is still a masterpiece.