Cape Cod Poetry: And now, a few words from the judges

Perhaps aspiring poets hibernate.

Perhaps they are snowbirds, flying away to vacation somewhere warm, beyond Cape Cod’s rainy – sometimes icy – borders.

Perhaps the peninsula, slumbering under a gray quilt, is less inspiring than usual.

Whatever the reason, very few poems were submitted last month – just like this time the year before.

The tall ship outside the Coast Guard Museum in Barnstable gathers a snow coat on its sails along Route 6A in Barnstable on Feb. 28.
The tall ship outside the Coast Guard Museum in Barnstable gathers a snow coat on its sails along Route 6A in Barnstable on Feb. 28.

Fortunately, several of the published poets who judge each month and choose winners for the Cape Cod Times Poetry Contest, have once again stepped forward and shared their work. So it's time to meet the poets.

Rosalind Pace lives in Truro, teaches an annual poetry seminar at the Wellfleet Library (coming up in May), mentors a weekly memoirs group, and was Writer-in-Residence at the Lighthouse Charter School from its founding until her retirement. Pace’s poems have been published over the years in many journals; she received a Fellowship in Poetry from Massachusetts Cultural Council in 2016.

“Blue” is appearing in the next issue of The Atlanta Review. The original version of this poem arose from a contemplative moment, sitting at the end of the rock jetty, watching the sun go down, shortly after the Soviets invaded Afghanistan and began their dreadful ill-fated attempt to occupy the country. I lived and taught there from 1962-1964, and still consider it to be a second home. I revised the poem recently: to take it beyond nostalgia, to intensify the fusion of here and there/ past and present/me and you/ interior and exterior.

BLUE

By Rosalind Pace

The April sun slants

across the bay and turns

the Pamet River a deeper

color than turquoise, the color

mountain people glaze

their bowls with, half a world

away. They’d never seen

the sea, yet could invent

this deep-sea-blue, extracted

from the ishkar plant,

going back four hundred

years, this skill passed down

to many sons and daughters,

enshallah. I watch

the evening and the tide.

Now women in Istalif

a few kilometers from Kabul

dress in black, and walk

through rubble and sweet

smoke from dung fires, wailing.

Half a world away

I want to echo the tern’s

cry, or be the empty

space in the arc a gull

makes on the updraft.

I am dressed in black

although I’m not in mourning,

and yet some part of me

has gone, some urge to sing.

The water’s now a deeper

blue, then a silver sheen,

then dark. I cannot speak

about my small complaints.

No bombs or land mines here.

I’m still alive. So are you.

***

Keith Althaus lives in Truro and has published three books of poetry. His fourth, "New & Selected Poems," will be coming out from Grid Books this summer.

Keith Althaus
Keith Althaus

Inspiration:  I witnessed this, about 20 years ago. Not too far from the great Caravaggio's painting "The Conversion of Saint Paul", about which Thom Gunn wrote a wonderful poem.

Murmuration

By Keith Althaus

The murmuration of starlings

in the air above the bus station in Rome

brought huge crowds every night

at dusk to see them swirl and dive

and tumble and erase themselves

like an Etch-a-Sketch.

They are not here

for our entertainment,

or even study — bordering

on the spiritual, mystical

side of things — but to obey

the primordial command

of magnets under the road,

on the rooftops of garages,

in the core of great machines,

cold and dark, called immobile

but in reality travelling

with us at enormous speed.

We are waiting for

our “Damascus Road/My name is Tania” moment,

as a shadow climbs

the white-washed stairs.

***

Lucile Burt currently lives in Wellfleet.  Her most recent book is "The Cone of Uncertainty," published in 2018.

Lucile Burt
Lucile Burt

About the poem “A Walk in the Woods”: As I walked on a dirt road with the child of a friend, a boy on the cusp of language, I imagined the contrast between his wordless experience of the world around him and mine.  It made me contemplate what is gained and lost in the process of naming things.

A WALK IN THE WOODS

By Lucile Burt

ROYAL OAK, MARYLAND

for Jake

I look up at loblolly pines.

Feathery tops flourish

against a cerulean sky.

I say the name aloud,

a chorus of rolling o’s and l’s.

Spindly naked trunks rise

above oak, holly, sumac, maple.

The toddler teeters in wordlessness,

squats to observe a caterpillar.

“Wooly bear.” I touch it

so it rolls in a ball.

He laughs at this magic,

then dashes down the path,

careens into leaf shower.

I stand still, locked in

the pretty prison of language,

my love for the rhyming chant:

holly, loblolly, wooly bear,

each thing in a word box.

Jake whirls a dance of delight

in a world of nothing named.

***

Robin Smith-Johnson teaches at Cape Cod Community College. She is the author of two books on Cape Cod history, "Legends and Lore of Cape Cod" and "Cape Cod Curiosities" (History Press), as well as co-founder of the Steeple Street Poets. Smith-Johnson lives in Mashpee.

Robin Smith-Johnson
Robin Smith-Johnson

Inspiration: I have always loved how the past still influences the present. For last year’s Mutual Muses challenge sponsored by the Cultural Centerof Cape Cod, I took my cue from a woodcut of two boaters skimming along the waters of Bass River. The image was imbued with a sense of history, where once Pawkannawkut Indians paddled their canoes, present-day boaters also ply the waters of Cape Cod. It seemed as if time had come full circle in a magical way.

Passage

By Robin Smith-Johnson

Windy morning on Bass River.

Clouds race by overhead,

bird forms etched in passing.

Two lone boaters skim along

the inlet, perhaps the spirits

of Pawkannawkut Indians.

There is light and movement here,

the memory of solace in solitude,

alive in the moment.

A single tree buffeted

by eddies of air

points to skiffs passing,

shadows of packet boats

once busy here, vestiges of trade.

What is visible is only so

for an instant --

the boats bob downstream.

Too late now to call them back.

How to submit a poem to the Cape Cod Times

Here’s how to send us your work:

Submit one poem single-spaced, of 35 lines or fewer per month

Poems cannot be previously published (in print or online).

Deadline for submission is April 1, 2023.

Submit by email to cctpoetry12@gmail.com.

Poems should be free of hate speech and expletives (profanity, vulgarity, obscenity).

In the body of the e-mail, send your contact information: name, address, phone number and title of poem; then, in a Word Doc attachment, include poem without name or any other personal info, so that the poem can be judged anonymously.

Poets not previously published in the Cape Cod Times are welcome to submit a new poem each month; those poets previously published in the Times, three months after publication.

Poets will be notified only if their poem is accepted.

Poems will be selected by a panel of readers on the Cape and Islands who are published poets and editors.

Keep connected with the Cape.  Download our free app

This article originally appeared on Cape Cod Times: Cape Cod Poetry judges share their work; enter your poem by April 1