Fans return to TC Summer Jam

·5 min read

As they arrived at a festival that just three months ago was in danger of being called off for a second year in a row, fans at the Twin Cities Summer Jam in Shakopee on Friday appeared unusually happy just worrying about the usual old concerns.

You know, things like heat advisories, long beer lines, portojohn cleanliness and horse poop.

"I'm more worried about stepping in something than I am picking up the virus," Curtis Hanson of Inver Grove Heights cracked as he walked toward the Summer Jam stage in the middle of Canterbury Park's horse track.

Still aiming to launch the Twin Cities' biggest multiday music festival — a goal set in its inaugural year, 2019 — Summer Jam organizers faced the similarly daunting task of being one of the biggest shows in town since Minnesota's COVID lockdown started winding down in May.

About 13,000 mask-eschewing fans took to Canterbury's inner field Friday, when Carrie Underwood topped off the bill, sandwiched on the three-day schedule between Thursday's headliners Lynyrd Skynyrd and Saturday's finisher the Zac Brown Band.

The dominance of country acts in this weekend's lineup — a contrast to 2019's lineup with Aerosmith, Pitbull, REO Speedwagon and Soul Asylum alongside Tim McGraw and Rascal Flatts — was one of several facets of Summer Jam's second year partly instigated by the uncertainty around COVID-19.

"Most of the rock acts still weren't sure if they'd be touring this year," Summer Jam CEO Jerry Braam explained backstage late Friday afternoon, already sounding exhausted from the prior night's sets ("Skynyrd put on a loooong show").

Braam said both his team and Canterbury's staff also had a little trouble finding enough workers to manage the show, a problem throughout the service industry post-pandemic.

Given the fact that it's been less than three months since mask mandates and crowd-size limits were lifted in Minnesota, though, Braam sounded happy to have to worry about crowd control at all.

"I'm as happy for these people in the crowd as I am for everyone putting on events like ours," he said.

In the end, beer lines and portojohns weren't much of a problem thanks to the Summer Jam's sprawling set-up, with two stages spread out across Canterbury's flat, grassy inner-field. Ample concession tents and many different tiered viewing areas were laid out between the stages (general admission, Gold Circle VIP, reserved VIP, etc., all priced between $100-$300 per day).

More facilities were also open to attendees inside the Canterbury grandstand, where the air-conditioning was a bigger draw than some of the opening acts.

"Be careful what you wish for," Julia Massena of Hudson, Wis., quipped, referring to the chance to be outdoors at a big concert. The crowd faced humid 95-degree heat advisories, which were mercifully offset by cloud cover.

One glaring glitch from the first year — an oversized VIP area that left a large vacant space in front of the stage — was fixed, as were traffic-flow problems cited by attendees from 2019.

"It seems like a great improvement over the first year," said Jackie Staricha of Blaine, attending the festival again with her mother-in-law in matching Underwood T-shirts. Her dad had attended the prior night.

"He loves [Skynyrd] and all the old rock stuff," she said.

Also traceable to all the COVID uncertainty, this weekend's Summer Jam lineups are relatively light on the number of performers.

Unlike most festivals where music typically runs nonstop, there were hourlong gaps on the main stage between openers Blanco Brown and Brett Young. And only two acts performed on the smaller, K102-sponsored second stage, locals Anthony Daniels and the Jake Nelson Band.

To help fill the gaps and cater to the crowd, those B-stage performers played two sets apiece and stretched out with stage banter — some of which rather blatantly pandered to this particular crowd.

"Anyone here like drinking whiskey?" Nelson asked. Daniels doubled up with his comment: "Who likes fishing and drinking beer?"

The party vibe turned serious in Brown's main-stage set, when the Atlanta singer — a rare Black voice in country music — sang some of the social-justice anthem "A Change Is Gonna Come." He also talked about surviving a motorcycle accident last year that left him temporarily unable to walk.

"We all have struggles and obstacles we have to climb over," said Brown, who moved all around the large Summer Jam stage with apparent ease.

When he finally followed Brown to the stage, California countryman Young also let fans in on momentous personal news: He was still wearing a bracelet from the hospital where his second child was born Wednesday.

"So I'm very happy right now," he said near the start of a warmly received set of poppy, lovelorn songs, including "In Case You Didn't Know."

Young certainly wasn't alone in those happy vibes.

"Just being able to get out and breathe in the air and feel the music is wonderful," said first-time Summer Jam attendee Kim Tatman of Minneapolis.

Her counterpart Dan Schaefer added, "I think after [COVID], a festival like this that offers different music to choose from and brings a lot of people together is going to do well."

Chris Riemenschneider • 612-673-4658


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