Indonesia weighing subsidy options to support biodiesel programme
JAKARTA, May 13 (Reuters) - The Indonesian government is considering alternate plans to increase subsidies for the country's ambitious biodiesel programme after crude oil prices tumbled, a finance ministry official said on Wednesday.
A historic crash in oil prices this year has widened the cost difference between standard diesel fuel and the fatty acid methyl ester (FAME), making biodiesel more expensive to be subsidised.
"At the moment, it is impossible to cover for incentives until the end of the year," said Febrio Kacaribu, head of Fiscal Policy Office at Indonesia's finance ministry.
The cost difference between the two fuels is subsidised by the government's Estate Crop Fund as incentives for the programme, which is aimed at absorbing palm oil produced by the world's top producer of the oil, while cutting imports of diesel.
Data from the energy ministry showed that by May, the cost of making FAME was at 8,494 rupiah ($0.5706) per litre, while that of diesel fuel was at 3,083 rupiah per litre. The gap has more than doubled since January.
Kacaribu said the government is discussing options to continue financially supporting the programme which may include giving direct subsidy, diverting other fuel subsidy to the biodiesel programme or increase the levy collected from palm oil exporters.
The crop fund, which in December had around 19 trillion rupiah, collects up to $50 per tonne of export levy when palm price is above $619 per tonne. The fund had to suspend levy collection last year due to low price of crude palm oil, which has hit its coffers.
"In this current national economic condition, everybody must chip in," Kacaribu said.
Indonesia late last year raised the bio-content in its biodiesel mandate to 30% (B30), the highest ever palm-based content so far. But last week, it delayed the bio-content upgrade by a year to 2022.
($1 = 14,885 rupiah) (Reporting by Gayatri Suroyo, Tabita Diela; Additional reporting by Bernadette Christina Munthe Writing by Fransiska Nangoy; Editing by Rashmi Aich)
