Inside an 18th-Century Country Home With Inspiring Modern Touches

Juliet Izon

Stubbs & Wootton slippers, with their cheeky embroidery and classic monograms, have long been a mainstay in the preppy wardrobe cannon. It’s no surprise then that the company’s founder, Percy Steinhart, maintains an immaculate home in the heart of New England: Litchfield, Connecticut. But just like Steinhart’s loafers are an inscrutable mix of classic design and whimsical details, the designer’s house also marries the old with the new. Take the sitting room, for example, which was a “recent” addition, in 1811, to the 1784 home: On the walls hang brightly colored pieces from contemporary artist Charles Billingham—right next to the ancient hearth. And yet, somehow, it all works: The warm tones in Billingham’s pieces are a perfect foil for the Colefax and Fowler upholstered chairs and the aged brick in the fireplace.

The mud room is one of Steinhart’s favorite spaces and is full of Stubbs & Wootton slippers, of course.
The mud room is one of Steinhart’s favorite spaces and is full of Stubbs & Wootton slippers, of course.

What’s even more impressive about the design of Steinhart’s home is that he did it all without the aid of a professional interior designer. But it only takes a few minutes of chatting with him before it’s apparent that Steinhart has an encyclopedic knowledge of the design world. “My influences come from Van Day Truex, David Hicks, Billy Baldwin, Anthony Hail, and Mario Buatta, among others,” he says. And while he calls his own design style “non-exclusive,” he did follow a few rules when outfitting this weekend home. “Most everything in the house is of the period, like late-18th or early-19th century,” he says. “However, as I have lived in it, [it] has developed a more present feel with modern and contemporary Cuban art.”

Perhaps aiding in the design process is that this is actually not Steinhart’s first home in the area. He was also a resident about 30 years ago, before decamping for a vacation home in Ketchum, Idaho. About five years ago, he stumbled upon this home, which, this being Connecticut, has quite the storied history. It was originally owned by Benjamin Tallmadge, an officer in the Revolutionary War who is most famous for being a spymaster and close friend to fellow spy Nathan Hale.

The home’s dining room displays Steinhart’s penchant for both the old and the new. The focal point is certainly the dining table, which is actually a rare William IV English hunt table. The art piece behind the table, however, is from Cuban painter Carlos Alfonzo.
The home’s dining room displays Steinhart’s penchant for both the old and the new. The focal point is certainly the dining table, which is actually a rare William IV English hunt table. The art piece behind the table, however, is from Cuban painter Carlos Alfonzo.

By the time Steinhart purchased the approximately 3,000-square-foot property, however, it was in need of extensive renovations. The goal was to preserve the home’s incredible bones while bringing the mechanics up to the current century. Major projects included updating the air-conditioning and heating, adding in a new bathroom from scratch, and combining two bedrooms into one large master suite. That last project was the renovation’s trickiest maneuver, as the heights of the 18th- and 19th-century parts of the home were uneven. “We literally had to raise the ceiling and floor to make it level,” Steinhart says.

Today, the home is a sun-soaked, cozy retreat, with multiple sitting rooms and bedrooms for plenty of guests. Apart from Steinhart’s master suite, which is outfitted with Charles Burger Independence Toile fabric, there are two other guest rooms, known by each of their dominant colors. The “red room” is an antique furniture lover’s dream, with a Chippendale tiger maple mirror, and an 18th-century bow-front dresser made from the same wood. In the “green room,” one of Steinhart’s favorite spaces in the house (second only to the mud room), the cheerful Colefax and Fowler Bowood print festoons the wallpaper, upholstery, and drapes.

Inside an 18th-Century Country Home With Inspiring Modern Touches

Stubbs & Wootton founder Percy Steinhart’s home in Litchfield, Connecticut, is around 3,000 square feet and was built in stages; the earliest section dates to 1784. An exterior view shows the lush gardens and, under the trees, a charming stone terrace.
Stubbs & Wootton founder Percy Steinhart’s home in Litchfield, Connecticut, is around 3,000 square feet and was built in stages; the earliest section dates to 1784. An exterior view shows the lush gardens and, under the trees, a charming stone terrace.
Steinhart’s sunny living room is painted in Benjamin Moore Williamsburg Capitol White with accents of Damask Gold. The drapes are vintage taffeta, which was found at the local fabric store in Litchfield. The lacquer table, however, is new: Steinhart commissioned it based on a Chinese design.
Steinhart’s sunny living room is painted in Benjamin Moore Williamsburg Capitol White with accents of Damask Gold. The drapes are vintage taffeta, which was found at the local fabric store in Litchfield. The lacquer table, however, is new: Steinhart commissioned it based on a Chinese design.
In this cozy section of Steinhart’s sitting room, a pair of leather chairs rescued from a repository in the Racquet and Tennis Club of New York sit in front of the fireplace. Above the mantle are some of Steinhart’s prized antique treenware pieces.
In this cozy section of Steinhart’s sitting room, a pair of leather chairs rescued from a repository in the Racquet and Tennis Club of New York sit in front of the fireplace. Above the mantle are some of Steinhart’s prized antique treenware pieces.
Another section of the sitting room—what was actually once the kitchen hearth—features chairs upholstered in Colefax and Fowler and Brunschwig & Fils fabrics. Two pieces from contemporary artist Charles Billingham hang on the wall.
Another section of the sitting room—what was actually once the kitchen hearth—features chairs upholstered in Colefax and Fowler and Brunschwig & Fils fabrics. Two pieces from contemporary artist Charles Billingham hang on the wall.
The breakfast room gains ample light from the bank of windows behind it. The chairs are from the English Regency period with cushions upholstered in Fortuny “Plumette” fabric. More treens, ones that were once filled with dry pumice powder to help dry ink, sit on the table.
The breakfast room gains ample light from the bank of windows behind it. The chairs are from the English Regency period with cushions upholstered in Fortuny “Plumette” fabric. More treens, ones that were once filled with dry pumice powder to help dry ink, sit on the table.
The mud room is one of Steinhart’s favorite spaces and is full of Stubbs & Wootton slippers, of course.
The mud room is one of Steinhart’s favorite spaces and is full of Stubbs & Wootton slippers, of course.
The kitchen features a custom red color on its cabinets and mahogany countertops. The runner is from Woodward and Greenstein.
The kitchen features a custom red color on its cabinets and mahogany countertops. The runner is from Woodward and Greenstein.
The home’s dining room displays Steinhart’s penchant for both the old and the new. The focal point is certainly the dining table, which is actually a rare William IV English hunt table. The art piece behind the table, however, is from Cuban painter Carlos Alfonzo.
The home’s dining room displays Steinhart’s penchant for both the old and the new. The focal point is certainly the dining table, which is actually a rare William IV English hunt table. The art piece behind the table, however, is from Cuban painter Carlos Alfonzo.
The sun room was one of the latest additions to the home, probably added around the turn of the century. The coffee table is an 18th-century Nantucket captain’s chest.
The sun room was one of the latest additions to the home, probably added around the turn of the century. The coffee table is an 18th-century Nantucket captain’s chest.
The master bedroom pairs the Burger fabric with a 1930s-era quilt in a matching blue and white pattern. The paintings are mix of 19th-century English landscapes and 18th-century American portraits.
The master bedroom pairs the Burger fabric with a 1930s-era quilt in a matching blue and white pattern. The paintings are mix of 19th-century English landscapes and 18th-century American portraits.
The master bedroom’s amply sized dressing area features another piece by Billingham and a wingback chair upholstered in Charles Burger’s “Independence Toile.”
The master bedroom’s amply sized dressing area features another piece by Billingham and a wingback chair upholstered in Charles Burger’s “Independence Toile.”
Steinhart put in this bathroom from scratch in his master bedroom. The tiny quilt star wallpaper is from Hinson.
Steinhart put in this bathroom from scratch in his master bedroom. The tiny quilt star wallpaper is from Hinson.
In the “green room,” one of Steinhart’s favorites, Colefax and Fowler’s Bowood print is featured on the window treatments and the wallpaper. The prints on the wall are all 17th-century German botanicals.
In the “green room,” one of Steinhart’s favorites, Colefax and Fowler’s Bowood print is featured on the window treatments and the wallpaper. The prints on the wall are all 17th-century German botanicals.
In a guest bedroom dubbed the “red room,” heirloom wood furniture takes center stage. The dresser is an 18th-century tiger maple bow front, the mirror is a Chippendale (also in tiger maple), and the bed is a painted American antique.
In a guest bedroom dubbed the “red room,” heirloom wood furniture takes center stage. The dresser is an 18th-century tiger maple bow front, the mirror is a Chippendale (also in tiger maple), and the bed is a painted American antique.

Each room in the home has been painstakingly curated: They each have a flavor of their own, but remain connected to the home’s design as a whole. Steinhart scours auctions and galleries to find his perfect pieces; favorites include Christie’s, the local art auctions in Litchfield, and Stair Galleries in Hudson, New York. Now that the home is completed, he’s looking forward to quiet autumn weekends, where he can watch the leaves change on his three acres of property. “Fall is pleasant around the fireplaces,” he says. “But winter, I have to admit, I’m in Florida.”

Originally Appeared on Architectural Digest