Learn how to create a lovely garden by visiting professional gardens — or a neighbor's

One of the best ways to learn how to create a lovely garden is to see others'. Visit gardens of neighbors, great gardens near and far. I recently visited three gardens and, as always when viewing other gardens, they gave me much to consider. The gardens I visited were Bedrock Gardens in Lee, New Hampshire; Chanticleer Garden in Wayne, Pennsylvania; and Longwood Gardens in Kennett Square, Pennsylvania.

All these gardens had significant areas of lawn or meadow. I realize that lawns are not in favor, generally, among the pro-pollinator and bird crowd. But if you provide plenty of plants that support pollinators, I don't see lawns as being bad. Each of these gardens has plenty of flowering trees, shrubs, perennials and annuals. Something is always in bloom, including both native and exotic plants.

So what does lawn accomplish? It provides contrast — a simple green palette — to show off the plants. Expanses of green are soothing to the eye. I can only focus on so many amazing plants before I get visually fatigued — much as I do when I visit an art museum.

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Lawn also allows you to stand back to see the landscape from a distance. For trees, that is important. In a forested area — and all three of these gardens have them — individual trees are sometimes hard to see. They blend in with the others. But I need to stand back to look at a majestic beech or oak that towers 100 feet above me.

Bedrock Garden only recently was deeded over from the original owners, Jill Nooney and Bob Munger, to the nonprofit that manages the property. Nooney is an amazing sculptor who, for more than 30 years, has created art for this 20-acre garden. Much of her art is painted, welded steel that will delight visitors for the century ahead. She is the modern Alexander Calder of gardens.

Although I am not an artist, I do purchase and create art and whimsy for my own gardens, and you can, too. Look around at what you can use: a brass headboard from an abandoned bed; the rim of an old wagon wheel, a collection of stacked stones, or a single tall standing stone buried in the ground. Stone always enhances a garden. Walls are expensive but almost worth their weight in gold.

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Pathways are important to a great garden, too. They lead the visitor from one area to another. Placing art, or even a bench, at a distance pulls viewers forward, luring them to see what is ahead. Chanticleer has wonderful pathways through the woods that appear to be wood chips embedded in rubber. Very soothing to knees and feet.

My late sister, Ruth Anne Mitchell, taught me long ago when viewing art or gardens that, “If you see a place to sit down, sit down.” So I do, and I find that it enhances the experience of the garden. Not only am I less tired, often gardens surprise us with something special near a resting point. Perhaps you can design a special feature near a bench: rare and dainty plants or a small water feature.

All three of the gardens I visited made much use of water in the landscape. I am lucky enough to have a small stream that runs by my gardens. I built a bench near it, so I can listen to the burble of the water. You can tune your brook: Place stones that hold back water, allowing it to cascade over them. Different drops create different sounds.

Years ago, for a New York Times article, I interviewed by phone the designer of the gardens at the Getty Museum in Los Angeles, Robert Irwin. He created a recirculating stream that crossed a path through a woodland area seven times. He told me he tuned it so that at each little bridge visitors would hear a different aquatic tune. Think of that if you have a stream on your property.

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Color is very important in designing good or great gardens. I only got the eight-color box of crayons as a boy; my sister Ruth Anne got the 64-color crayon box. But I have learned to appreciate all the nuances of color and how they go together. The best explanation of how colors go together — or don’t — is a book by garden writer Sydney Eddison: “The Gardener’s Palette: Creating Color in the Garden,” (Contemporary Books, 2003, $30 in hardback). Get it if you can find a copy.

Great gardens like those at Longwood, originally an old DuPont family residence, recognize that color is important all year. But most shrubs and perennials only bloom for a few weeks. So they choose trees and shrubs that are not only sculptural in form, but that also have nuanced colors in their leaves. Green is not one color, but many. Choose wisely.

Lastly, another way to present color all spring, summer and fall is to use annual flowers liberally. Many of these will keep on blooming in an effort to create seeds. Pots of annual flowers are used frequently in these great gardens. Pots place flowers closer to the viewer’s eye and can also be replaced with other pots if the flowers finish their displays or look a bit bedraggled.

So do visit other gardens this summer — whether at a local garden club tour or one of the fine gardens I mentioned here today.

Henry Homeyer's blog appears twice a week at gardening-guy.com. Write to him at P.O. Box 364, Cornish Flat, N.H. 03746. Please include a self-addressed, stamped envelope if you wish a mailed response. Or email henry.homeyer@comcast.net.

This article originally appeared on The Providence Journal: Garden design tips from the professionals (and your neighbors)