Olivier Awards 2023: Hannah Waddingham proves Eurovision is in safe hands at celebration of London theatre
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My Neighbour Totoro was the big winner at the 2023 Olivier Awards, as the stage community came together to celebrate the best in London’s theatre. The star-studded event proved to be a successful test run for Eurovision host Hannah Waddingham, with powerful performances from the biggest musical theatre productions of the year: Sister Act, Oklahoma!, The Band’s Visit, Tammy Faye, Newsies, Sylvia, and Standing at the Sky’s Edge, as well as a musical medley from Grease.
She might now be best known for Ted Lasso, but Waddingham worked in musical theatre for years before getting her big break and showed just what she could do on stage at the Royal Albert Hall. Taking a leaf out of the Tony Awards’ books, this year’s show kicked off with the first ever original Oliviers musical number, written by The Great British Bake Off Musical’s Pippa Cleary. Despite being a “virgin presenter extraordinaire”, Waddingham was the perfect balance of fiery, flirty and fun. The audience was instantly won over in her opening speech, when Waddingham told Jodie Comer she’d “happily be mauled to death” by her before speaking to Rose Ayling-Ellis in British Sign Language. Eurovision, it appears, is in safe hands.
The big acting awards of the night went to two of the UK and Ireland’s buzziest cultural exports. Comer was named Best Actress for her “extraordinary” performance in one-woman sexual assault drama Prima Facie (read The Independent’s review here), and used her award to empower aspiring actors who haven’t been to drama school. “Don’t let anyone tell you it isn’t possible… it is possible,” she said.
Meanwhile, man of the mo’ Paul Mescal, winning Best Actor for A Streetcar in Desire (check out our four-star review here), singled out his training institution, as well as “my favourite director” Rebecca Frecknall. Competing in a stacked category alongside heavyweights Tom Hollander, Rafe Spall, David Tennant and Giles Terera, Mescal seemed overwhelmed by his win and thanked his parents, ending his speech: “Mum, I hope you get better soon.” Mescal’s mother Dearhbla recently underwent chemotherapy after being diagnosed with cancer. His Streetcar co-star Anjana Vasan also won for Best Supporting Actress and shouted out Lydia Wilson, the production’s original Blanche Dubois who withdrew one week before the show was scheduled to open due to health reasons.
The Royal Shakespeare Company’s adaptation of Studio Ghibli’s My Neighbour Totoro (named a “fantastical and unlikely” production in our review), returning to the Barbican this summer, took home six awards, including for Best Director and Best Entertainment or Comedy Play. Best Musical Revival went to Oklahoma! (which The Independent’s Nicole Vassell gave a middling review), while arguably the night’s biggest award, Best New Musical, went to Richard Hawley’s Standing at the Sky’s Edge (review here). Hawley gave a truly memorable speech, dedicating his award to Pulp bassist Steve Mackey and beginning to tell a story about him, only for the orchestra to threaten to play him off and Hawley to bellow: “I know it’s not f***ing 40 seconds, but you can edit this s*** out.” The ensuing story, set during him and Mackey’s primary school days, was just as unexpected and expletive packed. “Stop clapping, we’ve got to get on!” Waddingham shouted at the cackling crowd. For more Hawley-isms, you can check out his excellent interview with The Independent’s Megan Graye.
Otherwise, the night ran smoothly with Waddingham at the helm. More political moments were peppered throughout, with speeches calling on the Arts Council to keep funding opera and audiences to support regional and subsidised theatres. Beverley Knight, performing twice before winning her long-awaited Olivier for Best Supporting Actress in a Musical for Suffragette hip-hop musical Sylvia (review here), made a dig at campaigns saying actors should “retrain”, while Best Actor in a Musical winner, Oklahoma!’s Arthur Darvill implored: “We should be paying our teachers properly and not cutting the arts in schools.” Saying it loudest, The P Word writer Waleed Akhtar – winning for Best Show in an Affiliate Theatre – called on people to oppose the government’s asylum policies. “If I wasn’t fasting, I’d probably say eff the Tories,” he quipped.
But the most powerful moment came from last year’s Best Supporting Actress winner Liz Carr. During her 2022 speech, Carr called for “accessible ceremonies” after she was forced to wait in the wings as the nominations were read out. Appearing on the stage this year, she commented on the improved accessibility of the awards with the words: “Now that’s a ramp… access makes everything better!” Given the change that have been made in a year, Carr joked that she should use her manifesting ability for more good – “world peace, a new government and more work”.
As well as celebrating the young theatrical talent of today and most innovative new productions, Sunday’s ceremony was also a night of honouring legends. Receiving the Special Award, Arlene Phillips recalled a career fighting in a male-dominated environment, as well as her wild years babysitting for Ridley Scott, doing drag and performing on stage naked. The Lifetime Achievement award, meanwhile, went to Derek Jacobi. The actor remembered Laurence Olivier himself as “a bit of a b****r”, but one he owed “everything” to. “How do you start a speech when you’re already in tears?” he said, visibly shaking. “If luck plays a part in any actor’s life, then I’ve had it in bucketfuls.”
