Presépio returns to Casa da Saudade Library after three-year hiatus

NEW BEDFORD - Dozens of antique statues of Baby Jesus and a huge Azorean-style Presépio (nativity scene) are turning heads at the Casa da Saudade Library this Holiday season.

Made with diverse materials, the statues are of various sizes and represent different time periods.

Some were created with porcelain, others with wood and clay. Some are wearing elaborate robes; others are naked or almost naked. Some are encased.

They belong to the private collection of Dartmouth resident Frank Camara, and they will be on display through Jan. 6 as part of the library’s “December Traditions” exhibit.

“This exhibition contributes to the recognition of the cultures of immigrant communities and reminds us of the value of the art of sewing and embroidery, for which immigrant women were responsible,” said Dr. Irene Amaral, the library specialist who is assisting New Bedford Public Libraries Director Olivia Melo with the management of Casa da Saudade.

One of the library’s rooms has been taken over by a unique Presépio, where the manger and hills are actually shaped like books.

“The Presépio hasn’t been at Casa for the past three years, since the pandemic,” noted Camara, who set up the display. "We need to show the younger generations these traditions. If we don't, we run the risk of losing them one day."

The nativity scene features hundreds of handcrafted figurines gifted to Casa da Saudade by former Vice-Mayor Roberto Medeiros of Lagoa, Azores. It looks more like a cultural display as it not only depicts the birth of Christ but also many elements of traditional Azorean life. One can see the Senhor Santo Cristo Procession, Romeiros (Lenten pilgrims), and a marching band, among other Azorean traditions.

The “December Traditions” exhibit can be visited at 58 Crapo St., Monday through Wednesday, from 9 a.m. to 5 p.m., and on Thursday, from 9 a.m. to 8 p.m.

This article originally appeared on The Herald News: Presépio returns to Casa da Saudade Library after three-year hiatus