Find out how many more 90-degree days we'll see this year.
Find out how many more 90-degree days we'll see this year.
The nation is entering “a very vulnerable period” that could see the number of coronavirus deaths rise rapidly, Dr. Anthony Fauci warned in conversation with Yahoo News on Monday.
Congresswoman’s criticism comes as virus spikes across US
In an interview with Yahoo News National Correspondent Alexander Nazaryan, Dr. Anthony Fauci said that even with a vaccine rollout beginning later this year, he hopes Americans can gather safely for the spring holidays, but it’s “unrealistic” to think Easter and Passover celebrations will be completely back to normal.
Despite his tweets and frequent fundraising emails, President Trump knows "the battle is effectively over" and he's already moved on to asking allies "how he can stay relevant in the media and in the Republican Party and how he can earn money" next year and beyond, The Wall Street Journal reported Tuesday, citing Trump advisers. "Privately, even the few advisers to the president who had argued he still had a shot over the last week now largely concede he has no path to victory."Trump's lawyers, led by Rudy Giuliani, are expected to keep up the appearance of a legal fight until the Electoral College votes Dec. 14, the Journal reports. "While there are just a handful of people left urging the president to keep up the legal fight — among them, Mr. Giuliani — there are equally few people telling him to end it." One official explained, "Everybody's trying to straddle the fence and avoid him flipping out." They have other reasons to give Trump a wide berth, the Journal adds:> In a West Wing where advisers have often loitered near the Oval Office in the hopes of being asked inside, there has been noticeably less angling among aides to get an audience with the president in recent weeks, administration officials said. Aides have said privately they are concerned that the president might ask them for something that would draw them into the legal battle. [The Wall Street Journal]"Usually everybody's looking for an opportunity to go in. Now it's the opposite," said an administration official. "You never know where there's going to be this moment where he's like, well why don't you do X-Y-Z crazy thing." Read more at The Wall Street Journal.More stories from theweek.com People are skeptical that Ivanka Trump and Jared Kushner will be able to easily slip back into NYC society Obama the pretender Biden is giving the left nothing for their investment
The republication of caricatures depicting the Prophet Muhammad by French satirical magazine Charlie Hebdo in September 2020 led to protests in several Muslim-majority countries. It also resulted in disturbing acts of violence: In the weeks that followed, two people were stabbed near the former headquarters of the magazine and a teacher was beheaded after he showed the cartoons during a classroom lesson. Visual depiction of Muhammad is a sensitive issue for a number of reasons: Islam’s early stance against idolatry led to a general disapproval for images of living beings throughout Islamic history. Muslims seldom produced or circulated images of Muhammad or other notable early Muslims. The recent caricatures have offended many Muslims around the world. This focus on the reactions to the images of Muhammad drowns out an important question: How did Muslims imagine him for centuries in the near total absence of icons and images? Picturing Muhammad without imagesIn my courses on early Islam and the life of Muhammad, I teach to the amazement of my students that there are few pre-modern historical figures that we know more about than we do about Muhammad. The respect and devotion that the first generations of Muslims accorded to him led to an abundance of textual materials that provided rich details about every aspect of his life. The prophet’s earliest surviving biography, written a century after his death, runs into hundreds of pages in English. His final 10 years are so well-documented that some episodes of his life during this period can be tracked day by day.Even more detailed are books from the early Islamic period dedicated specifically to the description of Muhammad’s body, character and manners. From a very popular ninth-century book on the subject titled “Shama'il al-Muhammadiyya” or The Sublime Qualities of Muhammad, Muslims learned everything from Muhammad’s height and body hair to his sleep habits, clothing preferences and favorite food. No single piece of information was seen too mundane or irrelevant when it concerned the prophet. The way he walked and sat is recorded in this book alongside the approximate amount of white hair on his temples in old age. These meticulous textual descriptions have functioned for Muslims throughout centuries as an alternative for visual representations. Most Muslims pictured Muhammad as described by his cousin and son-in-law Ali in a famous passage contained in the Shama'il al-Muhammadiyya: a broad-shouldered man of medium height, with black, wavy hair and a rosy complexion, walking with a slight downward lean. The second half of the description focused on his character: a humble man that inspired awe and respect in everyone that met him. Textual portraits of MuhammadThat said, figurative portrayals of Muhammad were not entirely unheard of in the Islamic world. In fact, manuscripts from the 13th century onward did contain scenes from the prophet’s life, showing him in full figure initially and with a veiled face later on. The majority of Muslims, however, would not have access to the manuscripts that contained these images of the prophet. For those who wanted to visualize Muhammad, there were nonpictorial, textual alternatives. There was an artistic tradition that was particularly popular among Turkish- and Persian-speaking Muslims. Ornamented and gilded edgings on a single page were filled with a masterfully calligraphed text of Muhammad’s description by Ali in the Shama'il. The center of the page featured a famous verse from the Quran: “We only sent you (Muhammad) as a mercy to the worlds.”These textual portraits, called “hilya” in Arabic, were the closest that one would get to an “image” of Muhammad in most of the Muslim world. Some hilyas were strictly without any figural representation, while others contained a drawing of the Kaaba, the holy shrine in Mecca, or a rose that symbolized the beauty of the prophet. Framed hilyas graced mosques and private houses well into the 20th century. Smaller specimens were carried in bottles or the pockets of those who believed in the spiritual power of the prophet’s description for good health and against evil. Hilyas kept the memory of Muhammad fresh for those who wanted to imagine him from mere words. Different interpretationsThe Islamic legal basis for banning images, including Muhammad’s, is less than straightforward and there are variations across denominations and legal schools. It appears, for instance, that Shiite communities have been more accepting of visual representations for devotional purposes than Sunni ones. Pictures of Muhammad, Ali and other family members of the prophet have some circulation in the popular religious culture of Shiite-majority countries, such as Iran. Sunni Islam, on the other hand, has largely shunned religious iconography.Outside the Islamic world, Muhammad was regularly fictionalized in literature and was depicted in images in medieval and early modern Christendom. But this was often in less than sympathetic forms. Dante’s “Inferno,” most famously, had the prophet and Ali suffering in hell, and the scene inspired many drawings. These depictions, however, hardly ever received any attention from the Muslim world, as they were produced for and consumed within the Christian world. Offensive caricatures and colonial pastProviding historical precedents for the visual depictions of Muhammad adds much-needed nuance to a complex and potentially incendiary issue, but it helps explain only part of the picture. Equally important for understanding the reactions to the images of Muhammad are developments from more recent history. Europe now has a large Muslim minority, and fictionalized depictions of Muhammad, visual or otherwise, do not go unnoticed.With advances in mass communication and social media, the spread of the images is swift, and so is the mobilization for reactions to them. Most importantly, many Muslims find the caricatures offensive for its Islamophobic content. Some of the caricatures draw a coarse equation of Islam with violence or debauchery through Muhammad’s image, a pervasive theme in the colonial European scholarship on Muhammad. Anthropologist Saba Mahmood has argued that such depictions can cause “moral injury” for Muslims, an emotional pain due to the special relation that they have with the prophet. Political scientist Andrew March sees the caricatures as “a political act” that could cause harm to the efforts of creating a “public space where Muslims feel safe, valued, and equal.” Even without images, Muslims have cultivated a vivid mental picture of Muhammad, not just of his appearance but of his entire persona. The crudeness of some of the caricatures of Muhammad is worth a moment of thought.[Insight, in your inbox each day. You can get it with The Conversation’s email newsletter.]This article is republished from The Conversation, a nonprofit news site dedicated to sharing ideas from academic experts. It was written by: Suleyman Dost, Brandeis University.Read more: * Muslim schools are allies in France’s fight against radicalization – not the cause * Why there’s opposition to images of MuhammadSuleyman Dost does not work for, consult, own shares in or receive funding from any company or organization that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.
New York governor Andrew Cuomo criticized media treatment of President Trump, in a Monday interview on the Albany-based WAMC.Cuomo's remarks came after he had his own testy exchange with Wall Street Journal reporter Jimmy Vielkind at his own press conference the same day. After Vielkind pressed him on whether New York City schools were about to shut down, Cuomo yelled at Vielkind that he was "confused" regarding the issue.However, during the subsequent interview with WAMC's Alan Chartock, Cuomo said reporters had adopted a "nastier tone" and "disrespect that never existed" toward politicians."The way they question President Trump at some of these press conferences is just—I’ve never heard that tone with the president," Cuomo said. "There are reporters who just are unprofessional, don’t know the facts and ask really biased questions….You want to say ‘well I don’t like the president and I disrespect him,’ I know but it’s still the office of the president."The relationship between Trump and reporters has itself been the subject of intense media coverage. Reporters and the president have sparred since the 2016 presidential campaign began, with Trump labelling various media outlets "fake news."Cuomo's own coronavirus press briefings were widely covered in March when the pandemic slammed New York City and its surrounding environs. The governor also regularly appeared for interviews with his brother Chris, an anchor at CNN.
In a clever new ad, Georgia Democratic Senate candidate Rev. Raphael Warnock found a new way to drop the mic.Warnock is running against Sen. Kelly Loeffler (R-Ga.) in the Jan. 5 runoff election. In a new ad he tweeted out Tuesday, Warnock is shown taking his dog on a walk. In an earlier campaign ad, Warnock predicted there would be lots of false claims leveled against him, and "that's exactly what happened," he said. "You would think that Kelly Loeffler might have something good to say about herself, if she really wants to represent Georgia."Instead, Warnock continued, "she's trying to scare people by taking things I've said out of context from over 25 years of being a pastor." By this point, Warnock and his pup were at the end of their walk, and he was holding a bag of dog feces. As he dropped the bag in a trash can, Warnock said, "I think Georgians will see her ads for what they are -- don't you?" His dog barked in agreement -- and then approved the message. Watch the ad below. > I told you the smear ads were coming, but Georgians will see Sen. @Kloeffler's ads for what they are. pic.twitter.com/0sgU8ndC63> > -- Reverend Raphael Warnock (@ReverendWarnock) November 24, 2020More stories from theweek.com People are skeptical that Ivanka Trump and Jared Kushner will be able to easily slip back into NYC society Trump's staffers are reportedly now avoiding him to stay out of legal jeopardy Obama the pretender
A metal monolith has been found in the heart of Utah's red rock country by a state employee who was carrying out a count of bighorn sheep. The shiny structure was spotted by a biologist while conducting an aerial survey of southern Utah as part of a programme to double the number of sheep in the area. Bret Hutchings, the helicopter pilot, was dumbfounded. “That’s been about the strangest thing that I’ve come across out there in all my years of flying," he told the local tv news channel, KSLTV. “I’d say it’s probably between 10 and 12 feet high,” he added. “We were kind of joking around that if one of us suddenly disappears, then the rest of us make a run for it.” How the monolith got there remains a mystery. According to Mr Hutchings it was not just dropped in place, but firmly planted into the ground. He speculated the piece was a work of art deposited in the middle of nowhere by what he described as a "new wave" artist - perhaps inspired by Stanley Kubrick's 1968 film, "2001: A Space Odyssey".
A group of Pennsylvania Republicans filed a lawsuit over the weekend to block certification of the state's election results in an eleventh-hour attempt to overturn Joe Biden's victory in the key battleground state.The emergency petition, filed in state court, takes issue with a voting reform bill that passed Pennsylvania's Republican-held legislature in October last year. The lawsuit claims that the law's allowance of no excuse mail-in voting is "unconstitutional" and seeks to block Pennsylvania counties from certifying their vote results ahead of the deadline on Monday to do so and invalidate millions of mail-in ballots cast in the 2020 election.The group is led by Pennsylvania Representative Mike Kelly and GOP congressional candidate Sean Parnell, who has not conceded since his defeat this month by his Democratic rival, Representative Conor Lamb. Their suit names Democratic Governor Tom Wolf, the GOP-led legislature, and Secretary of State Kathy Boockvar as defendants.Meanwhile, a federal judge on Saturday dismissed a lawsuit from the Trump campaign that sought to invalidate millions of votes in Pennsylvania and block the certification of the state’s election results. Trump wrote in a tweet Saturday night that he plans to appeal the decision.About 2.6 million voters in Pennsylvania cast mail ballots in the general election this month. Biden won three out of every four mail ballots cast in the state, according to an analysis of data from Pennsylvania's state department.Biden won Pennsylvania by more than 80,000 votes over President Trump and is expected to be awarded the Keystone State's coveted 20 electoral votes. States have until December 8 to resolve election disputes, and electors will meet on December 14 to formally vote for the next president.Over the past several weeks, Trump has made allegations that voter fraud occurred on a massive scale through mail-in ballots. The president has claimed he won the election and has refused to concede even though his lawyers have not produced evidence of fraud widespread enough to alter the election outcome.
Conspiracy, illegal gambling, loansharking and drug trafficking among charges unsealed, U.S. attorney says.