Woodburn: Her memory is music to my heart
Approaching the front door of an attractive home, two stories and gated, I was greeted with a gentle breeze that carried upon it a jazzy piano melody.
So lovely was the music, which I soon learned came from a gorgeous Steinway — a century-old family heirloom, in fact, played by a gifted pianist — that before gently knocking, rap-rap-rap, I stood outside the threshold for a very long moment and listened.
And yet an even more beautiful song awaited me inside, the song of a story shared about my paternal grandfather, life-changing memories from 69 years ago and 2,300 miles away.
Before moving forward with this song, I must first briefly go backwards. Three years ago in this space, I wrote about my Grandpa Ansel who was a country physician in Urbana, Ohio. In part, I quoted from a yellowing newspaper clipping from The Urbana Daily Citizen with the headline “Fond Memories of Doc Prevail” below which Marilyn Johnson recalled being treated by my grandfather many, many years ago.
“When I was small,” she wrote, “I was always breaking a bone. Dr. Ansel Woodburn would first of all use his trusty (and hated) thumb to locate the fracture. He would then set the bone and cast it.”
She specifically recalled one fracture and treatment: “After he casted my arm, he asked how my favorite doll was doing. Before I could say ‘Jack Robinson,’ he had fashioned a doll cradle with Plaster of Paris and wires on which to rock.”
In response to my column, I received an email from another patient my grandpa had cared for a long, long time ago. Suzie told me she was given an even greater kindness than a toy doll cradle.
Wondering how in the small world Suzie had come across my column nearly across the nation in Ohio, and also wishing to hear more of her recollections about Grandpa Ansel, I wrote her back and asked. Surprise of surprises, it turns out she now lives in Camarillo and subscribes to The Ventura County Star.
Moreover, Suzie very kindly invited me to come for a visit so she could share her memories in person. Alas, the busyness of life, as it has a way of doing, along with the pandemic, as it had a way of doing, got in the way. Recently, at long last, our get-together happened.
By convenience, and by a 1-in-365 coincidence, we unintentionally met up on the very day marking the 55th anniversary of Ansel’s death. Adding to the serendipity, perhaps raising it to fate or a Godwink, is this: In 1954, when Suzie was an 18-year-old high school senior walking into Ansel’s physician’s office, he was 62 years old. When Suzie, now an octogenarian, welcomes me into her home with a piano’s song, I too am 62.
Music and poetry go hand in hand, so I am reminded of an original poem Grandpa penned on the title page of his copy of “Modern Surgery,” an heirloom holy as scripture. It is dated October 1, 1919, four days before his 28th birthday:
“The worker dies, but the work lives on / Whether a picture, a book, or a clock“
“Ticking the minutes of life away / For another worker in metal or rock“
“My work is with children and women and men — Not iron, not brass, not wood“
“And I hope when I lay my stethoscope down / That my Chief will call it good”
A narrative Suzie shared with me, and which I will share here next week, confirms that Ansel’s “Chief” called his life’s work “good.”
Woody Woodburn writes a weekly column for The Star and can be contacted at WoodyWriter@gmail.com. His books are available at www.WoodyWoodburn.com.
This article originally appeared on Ventura County Star: Woodburn: Her memory is music to my heart
